Out of his skull

Am I the only person in the world who thinks putting fifty million quids worth of diamonds onto a skull is pointless and not really art?

Well I suppose it can be considered art - but to me it just seems like someone with too much money making a point. Damien is reknowned after all for his penchent for splashing the cash. But this kind of thing just leaves me cold - when I compare it to the work of Antony Gormley or Andy Goldsworthy - or an exhibition that I went to last weekend at Salthouse Church in Norfolk - there is just no comparison.

The exhibition at Salthouse Church by Britz and McGowan entitled "Stars, Stones and Bones" is the best thing that I have seen in a long time and definitely the best use of the church that I have ever seen. There are a lot of differnet types of work in this show - paintings, collage, installations, mobiles - but they work together as a cohesive whole. Everything in the show is made from natural resources that can be found in Norolk - in itself quite a feat - but some of the pieces are massive. The most impressive works for me were a series of large paintings/ hangings that are placed between the windows. These paintings are massive and are made using mud, sand and clay from the Norfolk coast. Some of them have been made by placing pebbles on the paper and pouring mud over them, adding detail later. There is also a beautiful (if a little smelly) installation made using wire and starfish.

This is a breathtaking exhibition and well worth a visit if you get the chance - this is real art that comes from true inspiration and hard work and touches the heart and soul in a way that a diamnond encrusted skull never can.

Blind Light

I watched a channel 4 programme about Antony Gormley yesterday, which was both moving and inspiring. If yoy live in the UK and have digital or cable I would highly reccomend watching it.

It was a breath of fresh air to see a hugely famous artist who is still so involved in his work and not ruled by his ego.

The crew had filmed Gormley as he designed and worked for his current show at The Heywood Gallery. It was fascinating to see a project from beginning to end - the process to make the figures from huge metal cubes was amazing and Gormley was fully involved every step of the way. Starting by casting his own crouched body in plaster.

What was also fascinating was the painstaking creation of a cloud chamber and Gormley's reaction when it finally worked. When his dream finally came to fruition he had tears in his eyes. It was incredibly moving to see someone who believed so wholeheartedly in what he was doing and such a contrast to the programme I saw featuring Damien Hirst a few weeks ago. Hirst came across as quite a different character - arrogant, full of himself and quite removed from the work that his assistants were making. He would breeze into the studio for a while in the morning offering a few words of advice here and there, whereas Gormley was in the studio working at all hours and becoming increasingly frustrated by outside distractions like telephone calls.

I have long been a fan of Gormley's work - I especially liked Field for the British Isles (pictured above) and am hoping that I will get to see his new exhibition "Blind Light" before it finishes in August.